Showing posts with label Frank O'Hara. Show all posts
Showing posts with label Frank O'Hara. Show all posts

Sunday, November 13, 2022

A Quiet Poem

When music is far enough away
the eyelid does not often move
and objects are still as lavender
without breath or distant rejoinder.
The cloud is then so subtly dragged
away by the silver flying machine
that the thought of it alone echoes
unbelievably; the sound of the motor falls
like a coin toward the ocean’s floor
and the eye does not flicker
as it does when in the loud sun a coin
rises and nicks the near air. Now,
slowly, the heart breathes to music
while the coins lie in wet yellow sand.

by Frank O’Hara

A Step Away From Them

It’s my lunch hour, so I go
for a walk among the hum-colored
cabs. First, down the sidewalk
where laborers feed their dirty
glistening torsos sandwiches
and Coca-Cola, with yellow helmets
on. They protect them from falling
bricks, I guess. Then onto the
avenue where skirts are flipping
above heels and blow up over
grates. The sun is hot, but the
cabs stir up the air. I look
at bargains in wristwatches. There
are cats playing in sawdust.
On
to Times Square, where the sign
blows smoke over my head, and higher
the waterfall pours lightly. A
Negro stands in a doorway with a
toothpick, languorously agitating
A blonde chorus girl clicks: he
smiles and rubs his chin. Everything
suddenly honks: it is 12:40 of
a Thursday.
Neon in daylight is a
great pleasure, as Edwin Denby would
write, as are light bulbs in daylight.
I stop for a cheeseburger at JULIET’S
CORNER. Giulietta Maina, wife of
Federico Fellini, & bell’ attrice.
And chocolate malted. A lady in
foxes on such a day puts her poodle
in a cab.
There are several Puerto
Ricans on the avenue today, which
makes it beautiful and warm. First
Bunny died, then John Latouche,
then Jackson Pollock. But is the
earth as full of life was full, of them?
And one has eaten and one walks,
past the magazines with nudes
and the posters for BULLFIGHT and
the Manhatten Storage Warehouse,
which they’ll soon tear down. I
used to think they had the Armory
Show there.
A glass of papaya juice
and back to work. My heart is in my
pocket, it is Poems by Pierre Reverdy.

by Frank O’Hara

A True Account Of Talking To The Sun At Fire Island

The Sun woke me this morning loud
and clear, saying “Hey! I’ve been
trying to wake you up for fifteen
minutes. Don’t be so rude, you are
only the second poet I’ve ever chosen
to speak to personally
so why
aren’t you more attentive? If I could
burn you through the window I would
to wake you up. I can’t hang around
here all day.”
“Sorry, Sun, I stayed
up late last night talking to Hal.”
“When I woke up Mayakovsky he was
a lot more prompt” the Sun said
petulantly. “Most people are up
already waiting to see if I’m going
to put in an appearance.”
I tried
to apologize “I missed you yesterday.”
“That’s better” he said. “I didn’t
know you’d come out.” “You may be wondering why I’ve come so close?”
“Yes” I said beginning to feel hot
and wondering if maybe he wasn’t
burning me
anyway.
“Frankly I wanted to tell you
I like your poetry. I see a lot
on my rounds and you’re okay. You
may
not be the greatest thing on earth, but
you’re different. Now, I’ve heard some
say you’re crazy, they being excessively
calm themselves to my mind, and other
crazy poets think that you’re a boring
reactionary. Not me.
Just keep on
like I do and pay no attention. You’ll
find that some people always will
complain about the atmosphere,
either too hot
or too cold too bright or too dark, days
too short or too long.
If you don’t appear
at all one day they think you’re lazy
or dead. Just keep right on, I like it.
And don’t worry about your lineage
poetic or natural. The Sun shines on
the jungle, you know, on the tundra
the sea, the ghetto. Wherever you
were
I knew it and saw you moving. I was
waiting
for you to get to work.
And now that you
are making your own days, so to
speak,
even if no one reads you but me
you won’t be depressed. Not
everyone can look up, even at me. It
hurts their eyes.”
“Oh Sun, I’m so grateful to you!”
“Thanks and remember I’m watching.
It’s
easier for me to speak to you out
here. I don’t have to slide down
between buildings to get your ear.
I know you love Manhattan, but
you ought to look up more often.
And
always embrace things, people earth
sky stars, as I do, freely and with
the appropriate sense of space. That
is your inclination, known in the
heavens
and you should follow it to hell, if
necessary, which I doubt.
Maybe we’ll
speak again in Africa, of which I too
am specially fond. Go back to sleep
now
Frank, and I may leave a tiny poem
in that brain of yours as my farewell.”
“Sun, don’t go!” I was awake
at last. “No, go I must, they’re calling
me.”
“Who are they?”
Rising he said “Some
day you’ll know. They’re calling to you
too.” Darkly he rose, and then I slept.

by Frank O’Hara

Ann Arbor Variations

1

Wet heat drifts through the afternoon
like a campus dog, a fraternity ghost
waiting to stay home from football games.
The arches are empty clear to the sky.
Except for the leaves: those lashes of our
thinking and dreaming and drinking sight.
The spherical radiance, the Old English
look, the sum of our being, “hath perced
to the roote” all our springs and falls
and now rolls over our limpness, a daily
dragon. We lose our health in a love
of color, drown in a fountain of myriads,
as simply as children. It is too hot,
our birth was given up to screaming. Our
life on these street lawns seems silent.
The leaves chatter their comparisons
to the wind and the sky fills up
before we are out of bed. O infinite
our siestas! adobe effigies in a land
that is sick of us and our tanned flesh.
The wind blows towards us particularly
the sobbing of our dear friends on both
coasts. We are sick of living and afraid
that death will not be by water, o sea.

2

Along the walks and shaded ways
pregnant women look snidely at children.
Two weeks ago they were told, in these
selfsame pools of trefoil, “the market
for emeralds is collapsing,” “chlorophyll
shines in your eyes,” “the sea’s misery
is progenitor of the dark moss which hides
on the north side of trees and cries.”
What do they think of slim kids now?
and how, when the summer’s gong of day
and night slithers towards their sweat
and towards the nest of their arms
and thighs, do they feel about children
whose hides are pearly with days of swimming?
Do they mistake these fresh drops for tears?
The wind works over these women constantly!
trying, perhaps, to curdle their milk
or make their spring unseasonably fearful,
season they face with dread and bright eyes,
The leaves, wrinkled or shiny like apples,
wave women courage and sigh, a void temperature.

3

The alternatives of summer do not remove
us from this place. The fainting into skies
from a diving board, the express train to
Detroit’s damp bars, the excess of affection
on the couch near an open window or a Bauhaus
fire escape, the lazy regions of stars, all
are strangers. Like Mayakovsky read on steps
of cool marble, or Yeats danced in a theatre
of polite music. The classroon day of dozing
and grammar, the partial eclipse of the head
in the row in front of the head of poplars,
sweet Syrinx! last out the summer in a stay
of iron. Workmen loiter before urinals, stare
out windows at girders tightly strapped to clouds.
And in the morning we whimper as we cook
an egg, so far from fluttering sands and azure!

4

The violent No! of the sun
burns the forehead of hills.
Sand fleas arrive from Salt Lake
and most of the theatres close.
The leaves roll into cigars, or
it seems our eyes stick together
in sleep. O forest, o brook of
spice, o cool gaze of strangers!
the city tumbles towards autumn
in a convulsion of tourists
and teachers. We dance in the dark,
forget the anger of what we blame
on the day. Children toss and murmur
as a rumba blankets their trees and
beckons their stars closer, older, now.
We move o’er the world, being so much here.
It’s as if Poseidon left off counting
his waters for a moment! In the fields
the silence is music like the moon.
The bullfrogs sleep in their hairy caves.
across the avenue a trefoil lamp
of the streets tosses luckily.
The leaves, finally, love us! and
moonrise! we die upon the sun.

by Frank O’Hara

Attack of the Squash People

And thus the people every year in the valley of humid July did sacrifice themselves to the long green phallic god and eat and eat and eat. T...