A Plain Song For Comadre

Though the unseen may vanish, though insight
fails
And doubter and downcast saint
Join in the same complaint,
What holy things were ever frightened off
By a fly’s buzz, or itches, or a cough?
Harder than nails

They are, more warmly constant than the sun,
At whose continual sign
The dimly prompted vine
Upbraids itself to a green excellence.
What evening, when the slow and forced
expense
Of sweat is done,

Does not the dark come flooding the straight
furrow
Or filling the well-made bowl?
What night will not the whole
Sky with its clear studs and steady spheres
Turn on a sound chimney? It is seventeen
years
Come tomorrow

That Bruna Sandoval has kept the church
Of San Ysidro, sweeping
And scrubbing the aisles, keeping
The candlesticks and the plaster faces bright,
And seen no visions but the thing done right
>From the clay porch

To the white altar. For love and in all weathers
This is what she has done.
Sometimes the early sun
Shines as she flings the scrubwater out, with a
crash
Of grimy rainbows, and the stained studs flash
Like angel-feathers.

by Richard Wilbur

A World Without Objects is a Sensible Emptiness

The tall camels of the spirit
Steer for their deserts, passing the last groves loud
With the sawmill shrill of the locust, to the whole honey of the
arid
Sun. They are slow, proud,

And move with a stilted stride
To the land of sheer horizon, hunting Traherne’s
Sensible emptiness, there where the brain’s lantern-slide
Revels in vast returns.

O connoisseurs of thirst,
Beasts of my soul who long to learn to drink
Of pure mirage, those prosperous islands are accurst
That shimmer on the brink

Of absence; auras, lustres,
And all shinings need to be shaped and borne.
Think of those painted saints, capped by the early masters
With bright, jauntily-worn

Aureate plates, or even
Merry-go-round rings. Turn, O turn
From the fine sleights of the sand, from the long empty oven
Where flames in flamings burn

Back to the trees arrayed
In bursts of glare, to the halo-dialing run
Of the country creeks, and the hills’ bracken tiaras made
Gold in the sunken sun,

Wisely watch for the sight
Of the supernova burgeoning over the barn,
Lampshine blurred in the steam of beasts, the spirit’s right
Oasis, light incarnate.

by Richard Wilbur

Advice to a Prophet

When you come, as you soon must, to the streets of our city,
Mad-eyed from stating the obvious,
Not proclaiming our fall but begging us
In God’s name to have self-pity,

Spare us all word of the weapons, their force and range,
The long numbers that rocket the mind;
Our slow, unreckoning hearts will be left behind,
Unable to fear what is too strange.

Nor shall you scare us with talk of the death of the race.
How should we dream of this place without us?–
The sun mere fire, the leaves untroubled about us,
A stone look on the stone’s face?

Speak of the world’s own change. Though we cannot conceive
Of an undreamt thing, we know to our cost
How the dreamt cloud crumbles, the vines are blackened by frost,
How the view alters. We could believe,

If you told us so, that the white-tailed deer will slip
Into perfect shade, grown perfectly shy,
The lark avoid the reaches of our eye,
The jack-pine lose its knuckled grip

On the cold ledge, and every torrent burn
As Xanthus once, its gliding trout
Stunned in a twinkling. What should we be without
The dolphin’s arc, the dove’s return,

These things in which we have seen ourselves and spoken?
Ask us, prophet, how we shall call
Our natures forth when that live tongue is all
Dispelled, that glass obscured or broken

In which we have said the rose of our love and the clean
Horse of our courage, in which beheld
The singing locust of the soul unshelled,
And all we mean or wish to mean.

Ask us, ask us whether with the worldless rose
Our hearts shall fail us; come demanding
Whether there shall be lofty or long standing
When the bronze annals of the oak-tree close.

by Richard Wilbur