“A little bird I am,
Shut from the fields of air,
And in my cage I sit and sing
To Him who placed me there:
Well pleased a prisoner to be,
Because, my God, it pleases Thee!
“Naught have I else to do;
I sing the whole day long;
And He whom most I love to please
Doth listen to my song,
He caught and bound my wandering wing,
But still He bends to hear me sing.”
by Louisa May Alcott
In every line a supple beauty –
The restless head a little bent –
Disgust of pleasure, scorn of duty,
The unseeing eyes of discontent.
I often come to sit beside him,
This youth who passed and left no trace
Of good or ill that did betide him,
Save the disdain upon his face.
The hope of all his House, the brother
Adored, the golden-hearted son,
Whom Fortune pampered like a mother;
And then, – a shadow on the sun.
Whether he followed Cæsar’s trumpet,
Or chanced the riskier game at home
To find how favor played the stumpet
In fickle politics at Rome;
Whether he dreamed a dream in Asia
He never could forget by day,
Or gave his youth to some Aspasia,
Or gamed his heritage away;
Once lost, across the Empire’s border
This man would seek his peace in vain;
His look arraigns a social order
Somehow entrammelled with his pain.
‘The dice of gods are always loaded’;
One gambler, arrogant as they,
Fierce, and by fierce injustice goaded,
Left both his hazard and the play.
Incapable of compromises,
Unable to forgive or spare,
The strange awarding of the prizes
He had not fortitude to bear.
Tricked by the forms of things material –
The solid-seeming arch and stone,
The noise of war, the pomp imperial,
The heights and depths about a throne –
He missed, among the shapes diurnal,
The old, deep-travelled road from pain,
The thoughts of men which are eternal,
In which, eternal, men remain.
Ritratto d’ignoto; defying
Things unsubstantial as a dream –
An Empire, long in ashes lying –
His face still set against the stream.
Yes, so he looked, that gifted brother
I loved, who passed and left no trace,
Not even – luckier than this other –
His sorrow in a marble face.
by Willa Sibert Cather
A light says why. From all the poor prying. Again we attain a more
regal posture–small bird accompanying slips between our whim.
Where will we flicker, loose as two feathers from a wren’s back? Gone,
do not brood for all the hands that miss you. They hardly hold. Don’t
wait, one who thought a dark eye could save you, like night with its black
paws curled and gone to sleep. There are only two names to remember,
Loss and Pleasure, crossed in this field like no man’s borrowed light. Call
the far-sighted foxes to the launching. Call the small deer scattered in
the back brush, swift as flit. Contingency has arms and hands and wasted
faces. And a body, shrunk and scurvy, built to burn.
by Karen Volkman
a light Out)
& first of all foam
-like hair spatters creasing pillow
next everywhere hidinglyseek
no o god dear wait sh please o no O
3rd Findingest whispers understand
sobs bigly climb what (love being some-
thing possibly more intricate) i (breath
in breath) have nicknamed ecstasy and And
spills smile cheaply thick
—who therefore Thee (once and once only, Queen
among centuries universes between
Who out of deeplyness rose to undeath)
salute. and having worshipped for my doom
pass ignorantly into sleep’s bright land.
by E. E. Cummings
There’s a light on in the attic.
Thought the house is dark and shuttered,
I can see a flickerin’ flutter,
And I know what it’s about.
There’s a light on in the attic.
I can see it from the outside.
And I know you’re on the inside… lookin’ out.
by Shel Silverstein
At six o’clock we were waiting for coffee,
waiting for coffee and the charitable crumb
that was going to be served from a certain balcony
—like kings of old, or like a miracle.
It was still dark. One foot of the sun
steadied itself on a long ripple in the river.
The first ferry of the day had just crossed the river.
It was so cold we hoped that the coffee
would be very hot, seeing that the sun
was not going to warm us; and that the crumb
would be a loaf each, buttered, by a miracle.
At seven a man stepped out on the balcony.
He stood for a minute alone on the balcony
looking over our heads toward the river.
A servant handed him the makings of a miracle,
consisting of one lone cup of coffee
and one roll, which he proceeded to crumb,
his head, so to speak, in the clouds—along with the sun.
Was the man crazy? What under the sun
was he trying to do, up there on his balcony!
Each man received one rather hard crumb,
which some flicked scornfully into the river,
and, in a cup, one drop of the coffee.
Some of us stood around, waiting for the miracle.
I can tell what I saw next; it was not a miracle.
A beautiful villa stood in the sun
and from its doors came the smell of hot coffee.
In front, a baroque white plaster balcony
added by birds, who nest along the river,
—I saw it with one eye close to the crumb—
and galleries and marble chambers. My crumb
my mansion, made for me by a miracle,
through ages, by insects, birds, and the river
working the stone. Every day, in the sun,
at breakfast time I sit on my balcony
with my feet up, and drink gallons of coffee.
We licked up the crumb and swallowed the coffee.
A window across the river caught the sun
as if the miracle were working, on the wrong balcony.
by Elizabeth Bishop
She plucked a blossom fair to see;
Upon my coat I let her pin it;
And thus we stood beneath the tree
A minute.
She turned her smiling face to me;
I saw a roguish sweetness in it;
I kissed her once;—it took, maybe,
A minute.
The time was paltry, you’ll agree;
It took but little to begin it;
But since my heart has not been free
A minute.
by Ellis Parker Butler
Across the dimly lighted room
The violin drew wefts of sound,
Airily they wove and wound
And glimmered gold against the gloom.
I watched the music turn to light,
But at the pausing of the bow,
The web was broken and the glow
Was drowned within the wave of night.
by Sara Teasdale
I am a shell. From me you shall not hear
The splendid tramplings of insistent drums,
The orbed gold of the viol’s voice that comes,
Heavy with radiance, languorous and clear.
Yet, if you hold me close against the ear,
A dim, far whisper rises clamorously,
The thunderous beat and passion of the sea,
The slow surge of the tides that drown the mere.
Others with subtle hands may pluck the strings,
Making even Love in music audible,
And earth one glory. I am but a shell
That moves, not of itself, and moving sings;
Leaving a fragrance, faint as wine new-shed,
A tremulous murmur from great days long dead.
by Stephen Vincent Benet
I have wished a bird would fly away,
And not sing by my house all day;
Have clapped my hands at him from the door
When it seemed as if I could bear no more.
The fault must partly have been in me.
The bird was not to blame for his key.
And of course there must be something wrong
In wanting to silence any song.
by Robert Frost
A MILLION young workmen straight and strong lay stiff on the grass and roads,
And the million are now under soil and their rottening flesh will in the years feed roots of blood-red roses.
Yes, this million of young workmen slaughtered one another and never saw their red hands.
And oh, it would have been a great job of killing and a new and beautiful thing under the sun if the million knew why they hacked and tore each other to death.
The kings are grinning, the kaiser and the czar—they are alive riding in leather-seated motor cars, and they have their women and roses for ease, and they eat fresh-poached eggs for breakfast, new butter on toast, sitting in tall water-tight houses reading the news of war.
I dreamed a million ghosts of the young workmen rose in their shirts all soaked in crimson … and yelled:
God damn the grinning kings, God damn the kaiser and the czar.Chicago, 1915.
by Carl Sandburg
O who will walk a mile with me
Along life’s merry way?
A comrade blithe and full of glee,
Who dares to laugh out loud and free,
And let his frolic fancy play,
Like a happy child, through the flowers gay
That fill the field and fringe the way
Where he walks a mile with me.
And who will walk a mile with me
Along life’s weary way?
A friend whose heart has eyes to see
The stars shine out o’er the darkening lea,
And the quiet rest at the end o’ the day,–
A friend who knows, and dares to say,
The brave, sweet words that cheer the way
Where he walks a mile with me.
With such a comrade, such a friend,
I fain would walk till journeys end,
Through summer sunshine, winter rain,
And then?–Farewell, we shall meet again!
by Henry Van Dyke
283
A Mien to move a Queen –
Half Child – Half Heroine –
An Orleans in the Eye
That puts its manner by
For humbler Company
When none are near
Even a Tear –
Its frequent Visitor –
A Bonnet like a Duke –
And yet a Wren’s Peruke
Were not so shy
Of Goer by –
And Hands – so slight –
They would elate a Sprite
With Merriment –
A Voice that Alters – Low
And on the Ear can go
Like Let of Snow –
Or shift supreme –
As tone of Realm
On Subjects Diadem –
Too small – to fear –
Too distant – to endear –
And so Men Compromise
And just – revere –
by Emily Dickinson
You have the grit and the guts, I know;
You are ready to answer blow for blow
You are virile, combative, stubborn, hard,
But your honor ends with your own back-yard;
Each man intent on his private goal,
You have no feeling for the whole;
What singly none would tolerate
You let unpunished hit the state,
Unmindful that each man must share
The stain he lets his country wear,
And (what no traveller ignores)
That her good name is often yours.
You are proud in the pride that feels its might;
From your imaginary height
Men of another race or hue
Are men of a lesser breed to you:
The neighbor at your southern gate
You treat with the scorn that has bred his hate.
To lend a spice to your disrespect
You call him the “greaser”. But reflect!
The greaser has spat on you more than once;
He has handed you multiple affronts;
He has robbed you, banished you, burned and killed;
He has gone untrounced for the blood he spilled;
He has jeering used for his bootblack’s rag
The stars and stripes of the gringo’s flag;
And you, in the depths of your easy-chair —
What did you do, what did you care?
Did you find the season too cold and damp
To change the counter for the camp?
Were you frightened by fevers in Mexico?
I can’t imagine, but this I know —
You are impassioned vastly more
By the news of the daily baseball score
Than to hear that a dozen countrymen
Have perished somewhere in Darien,
That greasers have taken their innocent lives
And robbed their holdings and raped their wives.
Not by rough tongues and ready fists
Can you hope to jilt in the modern lists.
The armies of a littler folk
Shall pass you under the victor’s yoke,
Sobeit a nation that trains her sons
To ride their horses and point their guns —
Sobeit a people that comprehends
The limit where private pleasure ends
And where their public dues begin,
A people made strong by discipline
Who are willing to give — what you’ve no mind to —
And understand — what you are blind to —
The things that the individual
Must sacrifice for the good of all.
You have a leader who knows — the man
Most fit to be called American,
A prophet that once in generations
Is given to point to erring nations
Brighter ideals toward which to press
And lead them out of the wilderness.
Will you turn your back on him once again?
Will you give the tiller once more to men
Who have made your country the laughing-stock
For the older peoples to scorn and mock,
Who would make you servile, despised, and weak,
A country that turns the other cheek,
Who care not how bravely your flag may float,
Who answer an insult with a note,
Whose way is the easy way in all,
And, seeing that polished arms appal
Their marrow of milk-fed pacifist,
Would tell you menace does not exist?
Are these, in the world’s great parliament,
The men you would choose to represent
Your honor, your manhood, and your pride,
And the virtues your fathers dignified?
Oh, bury them deeper than the sea
In universal obloquy;
Forget the ground where they lie, or write
For epitaph: “Too proud to fight.”
I have been too long from my country’s shores
To reckon what state of mind is yours,
But as for myself I know right well
I would go through fire and shot and shell
And face new perils and make my bed
In new privations, if ROOSEVELT led;
But I have given my heart and hand
To serve, in serving another land,
Ideals kept bright that with you are dim;
Here men can thrill to their country’s hymn,
For the passion that wells in the Marseillaise
Is the same that fires the French these days,
And, when the flag that they love goes by,
With swelling bosom and moistened eye
They can look, for they know that it floats there still
By the might of their hands and the strength of their will,
And through perils countless and trials unknown
Its honor each man has made his own.
They wanted the war no more than you,
But they saw how the certain menace grew,
And they gave two years of their youth or three
The more to insure their liberty
When the wrath of rifles and pennoned spears
Should roll like a flood on their wrecked frontiers.
They wanted the war no more than you,
But when the dreadful summons blew
And the time to settle the quarrel came
They sprang to their guns, each man was game;
And mark if they fight not to the last
For their hearths, their altars, and their past:
Yea, fight till their veins have been bled dry
For love of the country that WILL not die.
O friends, in your fortunate present ease
(Yet faced by the self-same facts as these),
If you would see how a race can soar
That has no love, but no fear, of war,
How each can turn from his private role
That all may act as a perfect whole,
How men can live up to the place they claim
And a nation, jealous of its good name,
Be true to its proud inheritance,
Oh, look over here and learn from FRANCE!
by Alan Seeger
Be there aught sae wondrous
As a cup of communion? as a cup of fellowship?
Be there aught sae wondrous to a wench
As a right to wield her tongue, and good listeners?
Be there aught sae wondrous as the fact
That we may never, never, in the days to come, be separate?
For I have become a part of thee, and thou hast become a part of me!
This is an holy sacrament!
by Patience Worth
I see her yet, that dark-eyed one,
Whose bounding heart God folded up
In His, as shuts when day is done,
Upon the elf the blossom’s cup.
On many an hour like this we met,
And as my lips did fondly greet her,
I blessed her as love’s amulet:
Earth hath no treasure, dearer, sweeter.
The stars that look upon the hill,
And beckon from their homes at night,
Are soft and beautiful, yet still
Not equal to her eyes of light.
They have the liquid glow of earth,
The sweetness of a summer even,
As if some Angel at their birth
Had dipped them in the hues of Heaven.
They may not seem to others sweet,
Nor radiant with the beams above,
When first their soft, sad glances meet
The eyes of those not born for love;
Yet when on me their tender beams
Are turned, beneath love’s wide control,
Each soft, sad orb of beauty seems
To look through mine into my soul.
I see her now that dark-eyed one,
Whose bounding heart God folded up
In His, as shuts when day is done,
Upon the elf the blossom’s cup.
Too late we met, the burning brain,
The aching heart alone can tell,
How filled our souls of death and pain
When came the last, sad word, Farewell!
by Adah Isaacs Menken
In a Dream I meet
my dead friend. He has,
I know, gone long and far,
and yet he is the same
for the dead are changeless.
They grow no older.
It is I who have changed,
grown strange to what I was.
Yet I, the changed one,
ask: “How you been?”
He grins and looks at me.
“I been eating peaches
off some mighty fine trees.”
by Wendell Berry
How often in the years that close,
When truce had stilled the sieging gun,
The soldiers, mounting on their works,
With mutual curious glance have run
From face to face along the fronting show,
And kinsman spied, or friend–even in a foe.
What thoughts conflicting then were shared,
While sacred tenderness perforce
Welled from the heart and wet the eye;
And something of a strange remorse
Rebelled against the sanctioned sin of blood,
And Christian wars of natural brotherhood.
Then stirred the god within the breast–
The witness that is man’s at birth;
A deep misgiving undermined
Each plea and subterfuge of earth;
They felt in that rapt pause, with warning rife,
Horror and anguish for the civil strife.
Of North or South they reeked not then,
Warm passion cursed the cause of war:
Can Africa pay back this blood
Spilt on Potomac’s shore?
Yet doubts, as pangs, were vain the strife
to stay,
And hands that fain had clasped again
could slay.
How frequent in the camp was seen
The herald from the hostile one,
A guest and frank companion there
When the proud formal talk was done;
The pipe of peace was smoked even ‘mid the
war,
And fields in Mexico again fought o’er.
In Western battle long they lay
So near opposed in trench or pit,
That foeman unto foeman called
As men who screened in tavern sit:
‘You bravely fight’ each to the other said–
‘Toss us a biscuit!’ o’er the wall it sped.
And pale on those same slopes, a boy–
A stormer, bled in noon-day glare;
No aid the Blue-coats then could bring,
He cried to them who nearest were,
And out there came ‘mid howling shot and shell
A daring foe who him befriended well.
Mark the great Captains on both sides,
The soldiers with the broad renown–
They all were messmates on the Hudson’s
marge,
Beneath one roof they laid them down;
And, free from hate in many an after pass,
Strove as in school-boy rivalry of the class.
A darker side there is; but doubt
In Nature’s charity hovers there:
If men for new agreement yearn,
Then old upbraiding best forbear:
‘The South’s the sinner!’ Well, so let it be;
But shall the North sin worse, and stand the
Pharisee?
O, now that brave men yield the sword,
Mine be the manful soldier-view;
By how much more they boldly warred,
By so much more is mercy due:
When Vicksburg fell, and the moody files
marched out,
Silent the victors stood, scorning to raise a
shout.
by Herman Melville
Scene.–_A kitchen.–Group of Children, popping corn.–The Fairy Queen
of the Seasons discovered in the smoke of the corn-popper.–Waving her
wand, and, with eerie, sharp, imperious ejaculations, addressing the
bespelled auditors, who neither see nor hear her nor suspect her
presence._
QUEEN
Summer or Winter or Spring or Fall,–
Which do you like the best of all?
LITTLE JASPER
When I’m dressed warm as warm can be,
And with boots, to go
Through the deepest snow,
Winter-time is the time for me!
QUEEN
Summer or Winter or Spring or Fall,–
Which do you like the best of all?
LITTLE MILDRED
I like blossoms, and birds that sing;
The grass and the dew,
And the sunshine, too,–
So, best of all I like the Spring.
QUEEN
Summer or Winter or Spring or Fall,–
Which do you like the best of all?
LITTLE MANDEVILLE
O little friends, I most rejoice
When I hear the drums
As the Circus comes,–
So Summer-time’s my special choice.
QUEEN
Summer or Winter or Spring or Fall,–
Which do you like the best of all?
LITTLE EDITH
Apples of ruby, and pears of gold,
And grapes of blue
That the bee stings through.–
Fall–it is all that my heart can hold!
QUEEN
Soh! my lovelings and pretty dears,
You’ve _each_ a favorite, it appears,–
Summer and Winter and Spring and Fall.–
That’s the reason I send them _all_!
by James Whitcomb Riley
Sit still, I say, and dispense with heroics!
I hurt your wrists? Well, you have hurt me.
It is time you found out that all men are not stoics,
Nor toys to be used as your mood may be.
I will not let go of your hands, nor leave you
Until I have spoken. No man, you say,
Dared ever so treat you before? I believe you,
For you have dealt only with boys till to-day.
You women lay stress on your fine perception,
Your intuitions are prated about;
You claim an occult sort of conception
Of matters which men must reason out.
So then, of course, when you asked me kindly
“To call again soon,” you read my heart.
I cannot believe you were acting blindly;
You saw my passion for you from the start.
You are one of those women who charm without trying;
The clay you are made of is magnet ore,
And I am the steel; yet, there’s no denying
You led me to loving you more and more.
You are fanning a flame that may burn too brightly,
Oft easily kindled, but hard to put out;
I am not a man to be played with lightly,
To come at a gesture and go at a pout.
A brute you call me, a creature inhuman;
You say I insult you, and bid me go.
And you? Oh, you are a saintly woman,
With thoughts as pure as the drifted snow.
Pah! you are but one of a thousand beauties
Who think they are living exemplary lives.
They break no commandments, and do all their duties
As Christian women and spotless wives.
But with drooping of lids, and lifting of faces,
And baring of shoulders, and well-timed sighs,
And the devil knows what other subtle graces,
You are mental wantons, who sin with the eyes.
You lure love to wake, yet bid it keep under,
You tempt us to fall, but bid reason control;
And then you are full of an outraged wonder
When we get to wanting you, body and soul.
Why, look at yourself! You were no stranger
To the fact that my heart was already on fire.
When you asked me to call you knew my danger,
Yet here you are, dressed in the gown I admire;
For half of the evil on earth is invented
By vain, pretty women with nothing to do
But to keep themselves manicured, powdered and scented,
And seek for sensations amusing and new.
But when I play at love at a lady’s commanding,
I always am certain to win one game;
So there-there-there! I will leave my branding
On the lips that are free now to cry “Shame, shame!”
You hate me? Quite likely! It does not surprise me.
Brute force? I confess it; but still you were kissed;
And one thing is certain-you cannot despise me
For having been played with, controlled, and dismissed.
And the next time you see that a man is attracted
By the beauty and graces that are not for him,
Don’t lead him on to be half distracted;
Keep out of deep waters although you can swim.
For when he is caught in the whirlpool of passion,
Where many bold swimmers are seen to drown,
A man will reach out and, in desperate fashion,
Will drag whoever is nearest him down.
Though the strings of his heart may be wrenched and riven
By a maiden coquette who has led him along,
She can be pardoned, excused and forgiven,
For innocence blindfolded walks into wrong.
But she who has willingly taken the fetter
That Cupid forges at Hymen’s command-
Well, she is the woman who ought to know better;
She needs no mercy at any man’s hand.
In the game of hearts, though a woman be winner,
The odds are ever against her, you know;
The world is ready to call her a sinner,
And man is ready to make her so.
Shame is likely, and sorrow is certain,
And the man has the best of it, end as it may.
So now, my lady, we’ll drop the curtain,
And put out the lights. We are through with our play.
by Ella Wheeler Wilcox
A yacht from its harbor ropes pulled free,
And leaped like a steed o’er the race track blue,
Then up behind her, the dust of the sea,
A gray fog, drifted, and hid her from view.
by Ella Wheeler Wilcox
Let the old snow be covered with the new:
The trampled snow, so soiled, and stained, and sodden.
Let it be hidden wholly from our view
By pure white flakes, all trackless and untrodden.
When Winter dies, low at the sweet Spring’s feet
Let him be mantled in a clean, white sheet.
Let the old life be covered by the new:
The old past life so full of sad mistakes,
Let it be wholly hidden from the view
By deeds as white and silent as snow-flakes.
Ere this earth life melts in the eternal Spring
Let the white mantle of repentance fling
Soft drapery about it, fold on fold,
Even as the new snow covers up the old.
by Ella Wheeler Wilcox
A MARCH in the ranks hard-prest, and the road unknown;
A route through a heavy wood, with muffled steps in the darkness;
Our army foil’d with loss severe, and the sullen remnant retreating;
Till after midnight glimmer upon us, the lights of a dim-lighted building;
We come to an open space in the woods, and halt by the dim-lighted building;
’Tis a large old church at the crossing roads—’tis now an impromptu
hospital;
—Entering but for a minute, I see a sight beyond all the pictures and poems ever
made:
Shadows of deepest, deepest black, just lit by moving candles and lamps,
And by one great pitchy torch, stationary, with wild red flame, and clouds of smoke;
By these, crowds, groups of forms, vaguely I see, on the floor, some in the pews laid
down;
At my feet more distinctly, a soldier, a mere lad, in danger of bleeding to death, (he is
shot
in
the abdomen;)
I staunch the blood temporarily, (the youngster’s face is white as a lily;)
Then before I depart I sweep my eyes o’er the scene, fain to absorb it all;
Faces, varieties, postures beyond description, most in obscurity, some of them dead;
Surgeons operating, attendants holding lights, the smell of ether, the odor of blood;
The crowd, O the crowd of the bloody forms of soldiers—the yard outside also
fill’d;
Some on the bare ground, some on planks or stretchers, some in the death-spasm sweating;
An occasional scream or cry, the doctor’s shouted orders or calls;
The glisten of the little steel instruments catching the glint of the torches;
These I resume as I chant—I see again the forms, I smell the odor;
Then hear outside the orders given, Fall in, my men, Fall in;
But first I bend to the dying lad—his eyes open—a half-smile gives he me;
Then the eyes close, calmly close, and I speed forth to the darkness,
Resuming, marching, ever in darkness marching, on in the ranks,
The unknown road still marching.
by Walt Whitman
A deep, delicious hush in earth and sky —
A gracious lull–since, from its wakening,
The morn has been a feverish, restless thing
In which the pulse of Summer ran too high
And riotous, as though its heart went nigh
To bursting with delights past uttering:
Now–as an o’erjoyed child may cease to sing
All falteringly at play, with drowsy eye
Draining the pictures of a fairy-tale
To brim his dreams with–there comes o’er the day
A loathful silence wherein all sounds fail
Like loitering sounds of some roundelay . . .
No wakeful effort longer may avail —
The wand waves, and the dozer sinks away.
by James Whitcomb Riley
by Walt Whitman
A noiseless patient spider,
I marked where on a promontory it stood isolated,
Marked how to explore the vacant vast surrounding,
It launched forth filament, filament, filament, out of itself,
Ever unreeling them, ever tirelessly speeding them.
And you O my soul where you stand,
Surrounded, detached, in measureless oceans of space,
Ceaselessly musing, venturing, throwing, seeking the spheres to connect them,
Till the bridge you will need be formed, till the ductile anchor hold,
Till the gossamer thread you fling catch somewhere, O my soul.
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by Walt Whitman
